Within the quiet atmosphere of a lounge near London's prestigious dance company, Matthew Ball orders a mint tea. The dancer's posture is effortlessly upright, his arms defined beneath a plain tee. On stage, ballet dancers can seem like powerful gods, yet frequently offstage they are petite. Not so Ball, whose tall stature is part of his popularity for princely characters and partnering. With fine features and piercing eyes, there's a hint of a brooding actor about him.
A Seamless Ascent to the Pinnacle
At 31, Ball is experiencing the crest of a career that has progressed seamlessly. Growing up in Liverpool, he faced little ridicule for his childhood passion in ballet. Entering the esteemed training institution at 11, he moved directly into the troupe and was advanced annually, attaining the top rank of lead dancer in 2018. He has loved taking on substantial characters, especially the emotional angst found in a famed choreographer's ballets.
"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."
His upcoming featured role is as himself, in an "In Conversation" event aiming to offer behind-the-scenes perspectives into a performer's art. He will walk the audience through a part, demonstrating his cognitive workflow while execution. Yet in lighter works, the test is profound. "Don Quixote is one of the most demanding from a skill perspective," he states.
The Psychological Struggle and Post-Performance Feelings
What about following a performance, when he has succeeded? "It feels pretty good," he says. "But because I'm trying to extract all the juice out of it, and get immersed in the character, frequently I do feel embarrassed afterwards. After Mayerling I'm always like: Wow, what must people think?"
In person, Ball is thoughtful, mild-mannered, and quick to laugh at himself. Yet a choreographer previously observed on a "sense of suffering in him." Does this exist? "I am very active usually, but I do have a dark side," he reveals. "I somewhat enjoy pessimism sometimes. I've always felt that doubt has been an instigator for positive change."
Early Motivations and Artistic Inspirations
Ball's tenacity originated in early setbacks. Not doing well in contests at school made him "vengeful!" It was fuel to demonstrate he could achieve. Discovering the book *Mao's Last Dancer* was a "watershed" moment. "It changed everything, it made me go a bit fanatical," he recalls.
An upcoming challenge is making his own choreography. For Ball, "there's nothing wrong with." "Challenging the rules is compelling, but just pretending that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be loaded with substance, drawing inspiration from literature, compositions, and painting.
Intimate Dance and Private Partnership
He additionally is interested in presenting dance in more intimate venues. "It was just really thrilling," he says of a past experience. "You’re so near to the viewers. I felt as if they were thinking: 'That’s a human, and they’re sweating.'"
Ball has created duets with his partner, fellow lead dancer Mayara Magri. The level of faith between them is clear. "We first practiced on a beach," he says of a audacious lift. "It resembled Dirty Dancing." The couple aren’t typically matched on stage at their home company, which might be healthy. "We’re both quite determined people, so it’s not always smooth sailing," he notes. "But I feel like we’re each other’s biggest cheerleader."
Regarding Instagram and Physical Image
On Instagram, followers can see clips from his projects and images that showcase a athletic physique. Does he mind that the engagement can be somewhat focused on appearance? Not really. "The body is just what we use, so I don’t feel very protective about it," he explains. He compares it to seeing Michelangelo’s David—something that can be seen on various ways.
Ball characterizes his younger self as "desperate for success." Has it met his expectations? "I feel very aware of how life is a different reality to the dreams you made as a child," he reflects. He likely has another ten years of performing ahead. "I guess in the time to come, I want to be a bit more kind with myself."